![]() Paolo has a clear vision from which he is prepared to diverge only so far in order to accommodate the wishes of art directors and other clients. Perhaps that’s because it’s different, perhaps because it has real integrity. ![]() ![]() Their questions and observations pointed to just how highly the upcoming generation of photographers and fashion designers regarded Paolo’s work. In the audience was a large group of art-college students. On the panel was Paolo Roversi, who talked eloquently about the early work of Irving Penn, the subject of the session and one clearly close to his heart. Some years ago, I was at a panel discussion at London’s National Portrait Gallery. And his influence has been greater than might be expected for someone who bucks the trend, is defiantly himself and doesn’t seek the limelight. His techniques are arguably anachronistic – he’s best known for his use of large-format polaroid film, the antithesis of the reliance on digital post-production that dominates today’s photography. ![]() ![]() His images are simultaneously contemporary and timeless. He quickly developed a distinctive personal style, which he has continued to evolve gradually and subtly over time. It’s more than 40 years since Paolo Roversi launched his career as a fashion photographer. ![]()
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